ACT III
Scene.—A Room in Nathan’s House
Recha and Daya
RECHA
What, Daya, did my father really sayI might expect him, every instant, here?That meant—now did it not? he would come soon.And yet how many instants have rolled by!—But who would think of those that are elapsed?—To the next moment only I’m alive.—At last the very one will come that brings him.
DAYA
But for the sultan’s ill-timed message, NathanHad brought him in.
RECHA
And when this moment comes,And when this warmest inmost of my wishesShall be fulfilled, what then? what then?
DAYA
What then?Why then I hope the warmest of my wishesWill have its turn, and happen.
RECHA
’Stead of this,What wish shall take possession of my bosom,Which now without some ruling wish of wishesKnows not to heave? Shall nothing? ah, I shudder.
DAYA
Yes: mine shall then supplant the one fulfilled—My wish to see thee placed one day in EuropeIn hands well worthy of thee.
RECHA
No, thou errest—The very thing that makes thee form this wishPrevents its being mine. The country draws thee,And shall not mine retain me? Shall an image,A fond remembrance of thy home, thy kindred,Which years and distance have not yet effaced,Be mightier o’er thy soul, than what I hear,See, feel, and hold, of mine.
DAYA
’Tis vain to struggle—The ways of heaven are the ways of heaven.Is he the destined saviour, by whose armHis God, for whom he fights, intends to lead theeInto the land, which thou wast born for—
RECHA
Daya,What art thou prating of? My dearest Daya,Indeed thou hast some strange unseemly notions.“His God—for whom he fights”—what is a GodBelonging to a man—needing anotherTo fight his battles? And can we pronounceFor which among the scattered clods of earthYou, I was born; unless it be for thatOn which we were produced. If Nathan heard thee—What has my father done to thee, that thouHast ever sought to paint my happinessAs lying far remote from him and his.What has he done to thee that thus, amongThe seeds of reason, which he sowed unmixed,Pure in my soul, thou ever must be seekingTo plant the weeds, or flowers, of thy own land.He wills not of these pranking gaudy blossomsUpon this soil. And I too must acknowledgeI feel as if they had a sour-sweet odour,That makes me giddy—that half suffocates.Thy head is wont to bear it. I don’t blameThose stronger nerves that can support it. Mine—Mine it behoves not. Latterly thy angelHad made me half a fool. I am ashamed,Whene’er I see my father, of the folly.
DAYA
As if here only wisdom were at home—Folly—if I dared speak.
RECHA
And dar’st thou not?When was I not all ear, if thou beganstTo talk about the heroes of thy faith?Have I not freely on their deeds bestowedMy admiration, to their sufferings yieldedThe tribute of my tears? Their faith indeedHas never seemed their most heroic sideTo me: yet, therefore, have I only learntTo find more consolation in the thought,That our devotion to the God of allDepends not on our notions about God.My father has so often told us so—Thou hast so often to this point consented—How can it be that thou alone art restlessTo undermine what you built up together?This is not the most fit discussion, Daya,To usher in our friend to; tho’ indeedI should not disincline to it—for to meIt is of infinite importance ifHe too—but hark—there’s some one at the door.If it were he—stay—hush—
They are—here this way.
Templar, Daya, and Recha
RECHA
(starts—composes herself—then offers to fall at his feet)
’Tis he—my saviour! ah!
TEMPLAR
This to avoidHave I alone deferred my call so long.
RECHA
Yes, at the feet of this proud man, I willThank—God alone. The man will have no thanks;No more than will the bucket which was busyIn showering watery damps upon the flame.That was filled, emptied—but to me, to theeWhat boots it? So the man—he too, he tooWas thrust, he knew not how, and the fire.I dropped, by chance, into his open arm.By chance, remained there—like a fluttering sparkUpon his mantle—till—I know not whatPushed us both from amid the conflagration.What room is here for thanks? How oft in EuropeWine urges men to very different deeds!Templars must so behave; it is their office,Like better taught or rather handier spaniels,To fetch from out of fire, as out of water.
TEMPLAR
Oh Daya, Daya, if, in hasty momentsOf care and of chagrin, my unchecked temperBetrayed me into rudeness, why conveyTo her each idle word that left my tongue?This is too piercing a revenge indeed;Yet if henceforth thou wilt interpret better—
DAYA
I question if these barbed words, Sir Knight,Alighted so, as to have much disserved you.
RECHA
How, you had cares, and were more covetousOf them than of your life?
TEMPLAR
(who has been viewing her with wonder and perturbation)
Thou best of beings,How is my soul ’twixt eye and ear divided!No: ’twas not she I snatched from amid fire:For who could know her and forbear to do it?—Indeed—disguised by terror—
RECHA
But to meYou still appear the same you then appeared.
Now tell me, knight, where have you been so long?It seems as might I ask—where are you now?
TEMPLAR
I am—where I perhaps ought not to be.
RECHA
Where have you been? where you perhaps ought not—That is not well.
TEMPLAR
Up—how d’ye call the mountain?Up Sinai.
RECHA
Oh, that’s very fortunate.Now I shall learn for certain if ’tis true—
TEMPLAR
What! if the spot may yet be seen where MosesStood before God; when first—
RECHA
No, no, not that.Where’er he stood, ’twas before God. Of thisI know enough already. Is it true,I wish to learn from you that—that it is notBy far so troublesome to climb this mountainAs to get down—for on all mountains else,That I have seen, quite the reverse obtains.Well, knight, why will you turn away from me?Not look at me?
TEMPLAR
Because I wish to hear you.
RECHA
Because you do not wish me to perceiveYou smile at my simplicity—You smileThat I can think of nothing more importantTo ask about the holy hill of hills:Do you not?
TEMPLAR
Must I meet those eyes again?And now you cast them down, and damp the smile—Am I in doubtful motions of the featuresTo read what I so plainly hear—what youSo audibly declare; yet will conceal?—How truly said thy father “Do but know her!”
RECHA
Who has—of whom—said so to thee?
TEMPLAR
Thy fatherSaid to me “Do but know her,” and of thee.
DAYA
And have not I too said so, times and oft.
TEMPLAR
But where is then your father—with the sultan?
RECHA
So I suppose.
TEMPLAR
Yet there? Oh, I forget,He cannot be there still. He is waiting for meMost certainly below there by the cloister.’Twas so, I think, we had agreed, Forgive,I go in quest of him.
DAYA
Knight, I’ll do that.Wait here, I’ll bring him hither instantly.
TEMPLAR
Oh no—Oh no. He is expecting me.Besides—you are not aware what may have happened.’Tis not unlikely he may be involvedWith Saladin—you do not know the sultan—In some unpleasant—I must go, there’s dangerIf I forbear.
RECHA
Danger—of what? of what?
TEMPLAR
Danger for me, for thee, for him; unlessI go at once.
Recha and Daya
RECHA
What is the matter, Daya?So quick—what comes across him, drives him hence?
DAYA
Let him alone, I think it no bad sign.
RECHA
Sign—and of what?
DAYA
That something passes in him.It boils—but it must not boil over. Leave him—Now ’tis your turn.
RECHA
My turn? Thou dost becomeLike him incomprehensible to me.
DAYA
Now you may give him back all that unrestHe once occasioned. Be not too severe,Nor too vindictive.
RECHA
Daya, what you meanYou must know best.
DAYA
And pray are you againSo calm.
RECHA
I am—yes that I am.
DAYA
At leastOwn—that this restlessness has given you pleasure,And that you have to thank his want of easeFor what of ease you now enjoy.
RECHA
Of thatI am unconscious. All I could confessWere, that it does seem strange unto myself,How, in this bosom, such a pleasing calmCan suddenly succeed to such a tossing.
DAYA
His countenance, his speech, his manner, hasBy this the satiated thee.
RECHA
Satiated,I will not say—not by a good deal yet.
DAYA
But satisfied the more impatient craving.
RECHA
Well, well, if you must have it so.
DAYA
I? no.
RECHA
To me he will be ever dear, will everRemain more dear than my own life; altho’My pulse no longer flutters at his name,My heart no longer, when I think about him,Beats stronger, swifter. What have I been prating?Come, Daya, let us once more to the windowWhich overlooks the palms.
DAYA
So that ’tis notYet satisfied—the more impatient craving.
RECHA
Now I shall see the palm-trees once again,Not him alone amid them.
DAYA
This cold fitIs but the harbinger of other fevers.
RECHA
Cold—cold—I am not cold; but I observe notLess willingly what I behold with calmness.
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