Александрийский квартет: Жюстин. Бальтазар

...обладает чисто бессознательным талантом обращать любой предмет в женщину: под его взглядом стулья вдруг мучительно осознают, что у них обнажённые ножки.

Мания самооправдания в равной мере присуща и тем, чья совесть нечиста, и тем, кто ищет философского обоснования своим поступкам: и в том и в другом случае это приводит к самым странным формам мысли. Идея не спонтанна, ее выносят на поверхность подводные токи воли.

Любовь не терпит равенства — как ты считаешь? Кто-то один всегда застит солнце и мешает — ей или ему — расти; живущего же в тени постоянно мучит жажда: бежать и обрести свободу тянуться к свету — самостоятельно. Не здесь ли единственная трагическая составляющая любви?

Not to force time, as the weak do, for that spells self-injury and dismay, but to harness its rhythms and put them to our own use.

‘To intercalate realities’ writes Balthazar ‘is the only way to be faithful to Time, for at every moment in Time the possibilities are endless in their multiplicity. Life consists in the act of choice. The perpetual reservations of judgement and the perpetual choosing.’

Personality as something with fixed attributes is an illusion — but a necessary illusion if we are to love!

What I most need to do is to record experiences, not in the
order in which they took place — for that is history — but in the order in which they first became significant for me.

To the Cartesian proposition: “I think, therefore I am”, he opposed his own, which must have gone something like this: “I imagine, therefore I belong and am free”.

If she ever knew me at all she must later have discovered that for those of us who feel deeply and who are at all conscious of the inextricable tangle of human thought there is only one response to be made — ironic tenderness and silence.

These are the moments which possess the writer, not the lover, and which live on perpetually. One can return to them time and time again in memory, or use them as a fund upon which to build the part of one’s life which is writing. One can debauch them with words, but one cannot spoil them.