WALTER MOSLEY, THE NEW YORK TIMES BOOK REVIEW

"Crook Manifesto is a dazzling treatise, a glorious and intricate anatomy of the heist, the con and the slow game. There's an element of crime here, certainly, but as in Whitehead's previous books, genre isn't the point. Here he uses the crime novel as a lens to investigate the mechanics of a singular neighborhood at a particular tipping point in time. He has it right: the music, the energy, the painful calculus of loss. Structured into three time periods — 1971, 1973 and finally the year of America's bicentennial celebration, 1976 — Crook Manifesto gleefully detonates its satire upon this world while getting to the heart of the place and its people ... Whitehead bends language. He makes sinuous the sounds of a city and its denizens pushing against the boundaries. He can be mordantly funny."

CHRIS VOGNAR, THE LOS ANGELES TIMES

"Both deceptively substantive and sneakily funny, a wise journey through Harlem days and nights as lived by Ray Carney, a conscientious furniture salesman and family man who happens to run a little crooked ... Whitehead has always had a sharp instinct for the workings of culture ... Whitehead's New York of the '70s is a fully realized universe down to the most meticulous details, from the constant sirens and bodega drug fronts to a sweltering, abandoned biscuit factory ... A...reminder, as if we still needed one, that crime fiction can be great literature. These books are as resonant and finely observed as anything Whitehead has written."