In recent years Rembrandt's oeuvre and influence have been hotly debated. A number of paintings hitherto said to be his, have been reattributed by some scholars to pupils or even to obscure followers, while other works have been radically reinterpreted. This lavishly illustrated book, containing essays by some of the world's leading scholars on seventeenth-century Dutch art, is the first critical review of the present state of Rembrandt studies finds itself in as a result. A new tradition of pai...