He was always a good hater,... «Something to Declare»

  • Аватар пользователя
    Oksident
    8 января 2017

    He was always a good hater, of course. His France—urban, northern, provincial, pedestrian, noisy, unpuritanical, festive—was in contrast to, and predicated upon, another France: bureaucratic, official, suburban, safe, rule-crazy, scared. Cobb had bright scorn for: the Bordelais, the police, bossy women behind guichets, Victor Hugo (“France's National Bore”), Sartre, Le Corbusier (“the Swiss démolomane” “the implacable Helvetian”), Jean-Luc Godard (another implacable Helvetian), Baron Haussmann (“the Alsatian Attila”), the Boulevard Saint-Michel—indeed, the whole of the Latin Quarter—Georges Pompidou (a “visionary vandal” worse than Haussmann), pedestrian precincts, and the scrubbed petrification of buildings restored for people to look at rather than live in.

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