Animals go mad and men die (accidentally and not) at a slaughterhouse in an impoverished, isolated corner of Brazil.
In a landscape worthy of Cormac McCarthy, the river runs septic and sludgy with blood. Edgar Wilson makes the sign of the cross on the forehead of a cow, then stuns it with a mallet. He does this over and over and over again, the stun operator at Mr. Milo’s slaughterhouse: reliable, responsible, quietly dispatching cows and following orders, wherever that may take him. It’s impor...
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