From 1775, when John Hamilton Mortimer exhibited his 'Death on a pale horse' to Lord Leighton's abortive project for a Revelation fresco inside the Dome of St. Paul's in the mid-1800s, apocalyptic subjects played an unusually prominent role in British art. This book is the first study of apocalyptic art of this era
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From 1775, when John Hamilton Mortimer exhibited his 'Death on a pale horse' to Lord Leighton's abortive project for a Revelation fresco inside the Dome of St. Paul's in the mid-1800s, apocalyptic subjects played an unusually prominent role in British art. This book is the first study of apocalyptic art of this era
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