
Ваша оценкаЦитаты
Kehlen26 декабря 2009 г.Читать далееThe artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things.
The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only beauty.
There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.
The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass.
The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass. The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an imperfect medium. No artist desires to prove anything. Even things that are true can be proved. No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. No artist is ever morbid. The artist can express everything. Thought and language are to the artist instruments of an art. Vice and virtue are to the artist materials for an art. From the point of view of form, the type of all the arts is the art of the musician. From the point of view of feeling, the actor's craft is the type. All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself. We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely.
All art is quite useless.
4410
Sweet_Dreams21 декабря 2009 г.The only way to get rid of temtation is to yield to it.
The way of paradoxes is the way of truth.
Nowadays people know the price of everything and the value of nothing.
The one charm about the past is that it is the past.
When one is in love, one always begins by deceiving oneself, and one always ends by deceiving others.
If a man is a gentelman, he knows quite enough, and if he is not a gentelman, whatever he knows is bad for him.
453
Loritta20 декабря 2009 г."Хорошего влияния не существует мистер Грей. Всякое влияние уже само по себе безнравственно"
411
gaboo8 октября 2009 г.Всегда? Ах, до чего ужасное слово. Меня всегда передергивает ,когда я слышу его. Зато его обожают женщины. Они могут испортить даже самый пылкий роман, пытаясь пролить его навсегда. К тому же, это слово лишено всякого смысла.
414
panda00715 августа 2009 г.Кажется, в ту пору какая-то из моих картин имела большой успех, - во всяком случае, о ней болтали в грошевых газетах, а в наше время это патент на бессмертие.
4141
panda00713 августа 2009 г.Мы сосредоточиваем порой внимание на самых незначительных мелочах, когда нам страшно думать о самом важном
413
panda00710 августа 2009 г.Я ещё могу примириться с грубой силой, но групая, тупая рассудочность совершено невыносима.
414
