In the last quarter of the twentieth century, David Cronenberg was one of the three or four greatest horror film directors in the world, and a leading light of Canadian cinema. At the same time he was the most cerebral horror film maker in North America, bringing in existentialism, Freudian psychology and Marshall McLuhan’s theory of media as extensions of the human body into his work.
LONG LIVE THE NEW FLESH argues that Cronenberg’s films from 1975 to 1999 show a remarkable consistency of vis...
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