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innashpitzberg20 января 2013 г.Читать далееThree areas of linguistics are currently being developed which help us understand the constructive nature of discourse in representation. First, there is an approach drawing on cognitive psychology and cognitive semantics which seeks to explain the building of a textual world, an intersubjective structure of concepts and relationships, in terms of ‘schemata’ (‘frames’, ‘scripts’, ‘prototypes’, etc.) which are fields of knowledge shared by producers and consumers of texts and which are made accessible to the reader through linguistic cues (de Beaugrande and Dressler, 1981, chap. 5). Second, related to the analysis of schemata is the study of ‘inferencing’: the interpretation of texts in terms of world-knowledge, systems of beliefs about the world (Downes, 1984, chap. 9; Brown and Yule, 1983). Third, functional linguistics (Halliday, 1985) provides analytic tools for studying how the perspective from which a textual world is regarded is shaped by linguistic choices in what Halliday calls the ‘ideational’ function of language (see Halliday, 1971, 1978; Fowler, 1977, 1986 on ‘mind-style’).
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innashpitzberg19 января 2013 г.Читать далееSince classical times, it has been held that ‘Literature’ is a form of discourse which has a special and important relationship with the world, although the nature of that relationship has shifted in different periods of theory. ‘Mimetic’ theories foreground the notion of ‘imitation’ of a world, and seem to presuppose a belief in an already existing world. Such a belief is overt only rarely, for example in defence of documentary or naturalist preferences in the novel. More generally, theorists and critics have tended to interpret mimesis as a constructive process in which an appearance of reality is created or a universal interpretation of reality is formed.
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innashpitzberg19 января 2013 г.At the outset I indicated that we cannot assume that there exists some entity ‘Literature’ waiting for the proper definition. In fact, the plethora of supposed defining criteria, often conflicting, that have been offered over the past two centuries and are still in circulation today suggests that the definition of ‘Literature’ is a fruitless quest. Many writers have demonstrated the futility of the project
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innashpitzberg19 января 2013 г.The first English critic of major stature and influence to give the term ‘literature’ its full modern meaning of ‘imaginative Literature’ was Matthew Arnold. The concept is clear in ‘The Function of Criticism at the Present Time’ (1864)
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innashpitzberg19 января 2013 г.In the period of English Romanticism, the central aesthetic terms were still ‘poetry’, ‘poem’, ‘poet’ (Wordsworth, Coleridge, Peacock, Shelley). English literature at that time was dominated by the lyric poem, and that was the model the theorists had in mind. But there was occasionally a sense of terminological awkwardness, the realization that ‘poetry’ was being used in two senses—‘imaginative or creative “Literature”’ and ‘metrical composition’.
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innashpitzberg17 апреля 2013 г.Читать далееThe apparently short-lived and constantly defensive sentimental movement thereby achieved something that classical ethics was failing to do and which Romanticism had no intention of doing—the emotional and intellectual foundation for recognizably modern social relationships. By the mid-eighteenth century, it was apparent to many that these relationships could no longer realistically be based upon patriarchal hegemony or traditional communal sanctions, but few were as yet prepared to entertain the concept of a social system founded upon the acquisitive individual ego—a veritable market-place of desires and values. The ethic of sensibility bridged the paradigmatic gap by advocating more flexible, humane and polite kinds of human interaction.
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innashpitzberg17 апреля 2013 г.Читать далееWhen the ancient Greek historian Herodotus visited Thebes in Egypt, he gazed with awe at the list of High Priests of the temple inscribed on its walls as he realized that the three hundred generations represented there took him back thousands of years before the dawn of Greek history and civilization. In The Death of the Past (1969, p. 111) J.H. Plumb contrasts this disturbing experience that began to give meaning and shape to the Greek sense of history with the Chinese chroniclers, for whom the succession of one emperor after another for over five thousand years, however violent the dynastic clashes, was essentially unproblematic in that it was a record of a single continuous society.
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innashpitzberg17 апреля 2013 г.Literary censorship is both a centuries-old phenomenon and a fact of contemporary life, distinguishing the more or less liberal political and cultural systems of the modern world from relatively or extremely repressive ones.
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innashpitzberg17 апреля 2013 г.When the new publishing firm of Chapman & Hall commissioned Charles Dickens to provide the accompanying prose for a series of sporting prints in monthly parts at a shilling, they were taking a great risk: Dickens was virtually unknown and part-publication of fiction was regarded as essentially a working-class form. Despite poor sales of the first few parts, Pickwick Papers (1836-7) ended up selling some 40,000 per month.
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innashpitzberg17 апреля 2013 г.Читать далееPublishing is the commercial channel through which books travel from author to reader. Between the invention of printing and the industrial revolution, the book trade underwent slow transformation rather than rapid change, and indeed many of its most characteristic features were substantially unchanged. The publishers themselves—the copy-owning booksellers—were in business to make a profit, not to serve the cultural development of society. They developed mechanisms of supply and distribution which enabled them to do so. They participated in the evolution of trade practices and indeed laws which protected their investments in the rights to publish particular books. They concentrated on books which made profits, and although they would follow fashions they would rarely lead them. Few of the books they published are remembered even by name, and fewer still are read. We may treasure those few as part of our heritage, but we should never forget the many hundreds of forgotten novels, thousands of forgotten histories, tens of thousands of forgotten sermons, and as many again of books on every subject under the sun, which provided the profits which sustained the book trade.
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