Serehfa was a frozen turbulence of architecture beyond the merely monumental: revetments rose like cliffs topped by broad, wooded scarps, stout bastions stood like jutting bluffs, serrated ridges of parapet lay stretched hazily like squared-off mountain ranges themselves, cloud-lined walls ascended sheer or stood pierced by the vast caves of dark windows, whole forested slopes of steep-pitched roofs lay serried green beneath the warmth of the high summer sun, and soaring arches of gables and buttresses climbed to higher and higher levels piled one on top of another, all swathed in whorling patterns of colour and climbing stacked, packed, placed and lifted to where the sparkling whiteness of snow and ice sat in a broad band of collected light thrown dazzlingly against the shining sky.