Following Habermas' claim that the discourse on modernity is characterised by a critique of reason that privileges aesthetic experience free from constraints of time and space and by a narrative of increasing rationality, an important point of departure for re-framing debates about theory and method in the study of religions is made available. In Religion and the Discourse on Modernity, Paul Tremlett argues that the aesthetic critique of modernity is constitutive of Marxist and post-modern thoug...
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