This is the first full-scale study of Plath's poetry, in which Kroll persuasively disputes the image of Plath as a death-obsessed poet whose poems were little more than vivid symptoms or a biographical record of anguish foreshadowing her suicide in 1963. Each chapter challenges its readers to confront a writer whose verse is full of tremendous complexity and nuance. Kroll shows that Plath's poems form a mythic biography presided over by a “Moon-Muse” in which depictions of death are nearly alway...
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