In this deeply idiosyncratic collaboration between a psychoanalyst and a costume curator, Adam Phillips re-describes dress in terms of anxiety, wish and desire, while Judith Clarks installations raise issues of equivalence with Phillips definitions and bring garments and other items from the Victoria and Albert Museums archive to life in unexpected ways. Published in parallel with an Artangel commission at Blythe House, location of the V&As vast reserve collections, and designed by Studio Frit...